PAINTINGS

     

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           Joseph’s formal training as an artist started in San Francisco at the Art Institute in 1970. Driven by an insatiable desire to depict his dreams, he loves drawing from nature while working plen-aire, also influenced by the expressionists and surrealists. During his formative years, music and songwriting meshed with creating soundtracks for many painting and drawing series. These interests in naturalism and symbolism came together in Coco’s research on synethesia (collateral sensations of color and sound) for his Master of Fine Arts degree at Rutgers University in New Jersey, 1986. There, he studied with Leon Golub and Rafael Montanez Ortiz, with an emphasis in painting, video and computer arts.

Anthropology, which Joseph initially studied in his first year of college, led to an interest in mythology and the archetypal themes that would eventually embrace his art and music. In 1974, Joe received a Bachelor of Fine Arts degree from Northern Arizona University. Living in Flagstaff, Arizona through 1980, he producing eight one-man exhibitions while performing regionally. The influence of his studio partners of five years, John Running (photographer) and Luis Tomas (artist-designer) gave him an appreciation for Native American, Mexican culture, mythology and color.

Such influences can be seen in Coco’s painting series SOUND IMAGE / FALLS RIVER concerning synesthesia. He combined his original instrumental music composed for the art as a soundtrack to his original video. SOLAR ECLIPSE AND A NUCLEAR HOLOCAUST, a drawing series, seeks to heal personal and societal fears of nuclear annihilation/isolation through dream imagery. SOLAR ECLIPSE toured the United States in ten solo exhibits from 1984 through 1994. An accompanying video to his original soundtrack and drawings from the series has been included in over twenty invitational shows, such as the United Nations “Exhibition for A Nuclear Free Society”.

THE LAST FULL MOON series, started in 1972, is a continuing series of paintings. Each painting is started in December on the day the full moon rises. This is an autobiographical project that includes Joseph’s fascination with astronomy and astrology. The theme might be the first dedicated to the study of the moon by a single artist. With over 65 individual images created to date, Joe is planning a major exhibition of the series by the year 2010.

As the Assistant Project director and Press Director for the first INTERNATIONAL SYMPOSIUM OF ART AND INVISIBLE REALITY, Coco assisted 67 artists participating in a seven-day and evening conference of 74 events including, performance artists, native culture practitioners, scientists, psychologists and psychics in exhibitions, site specific sculptures and panel discussions at Franklyn Furnace in New York City and Rutgers Galleries in New Jersey.

Joseph’s 3rd Int’l Exhibition of IF WALLS COULD SPEAK took place in Geraci, Sicily the summer of 2006 in the village where his grandparents lived before immigrating to America in 1910. The exhibition premiered in December 2006 in Teatro Vittorio Emanuele, Messina, Sicily. This exhibition of 106 paintings and drawings was in five galleries of Italy’s second largest opera house. This show also included a soundtrack of 13 instrumentals, composed and recorded for the series. Dedicated to “redefining the image of Sicily”, the art was depicted in a book of 82 short stories Joe wrote during his five-year residence in Sicily and Portugal.

FOLIAGE has been an on-going series for over thirty years. Capturing light on the surface of short-lived blossoms, Foliage started in Flagstaff, Arizona in 1975, concentrating on particular times of day, and particular blossoming forms, often working as large as 66”x42”. In 2006, Joseph worked on smaller canvases, concentrating on evening color schemes.

Over four hundred and twenty five paintings, drawings, prints and videos are collected in over two hundred and thirty public and private collections (see the comprehensive exhibition record). With 55 solo shows in America and Europe, Joe has exhibited in over 62 competitive and collective shows since 1970, while in the collections of MOMA San Francisco; GULBENKIAN MUSEUM Lisbon; KRIDEL SECURITIES, Paris; The GALLERIA NAZIONALE DE CONTEMPORANEO, Rome; and the INSTITUTE OF CONTEMPORARY ART, Boston. Currently he is teaching in the New Jersey universities of William Paterson, Montclair State, and Centenary College.





The  Ecstatic  Generosity of  Music
oil/linen 38"x34" 1975  Flagstaff, AZ


Centenary College professor Joseph Coco presents Paterson Great Falls exhibit

HACKETTSTOWN — Centenary College adjunct professor Joseph Coco will present his oil paintings of the Paterson Great Falls 4:30 p.m. Wednesday, Dec. 2 in the Front Parlours of the Edward W. Seay Administration Building at the Hackettstown-based institution.
Paterson Great Falls, located in Paterson, was designated as a United States National Park in March 2009. The Great Falls is the second-largest waterfall in the East Coast.
The Paterson Great Falls helped power the American Industrial Revolution under the leadership of Paterson’s founder, Alexander Hamilton, more than 235 years ago. As a result of securing its new status as a National Park,the Paterson Great Falls will receive federal aid to maintain and preserve this site.
Coco’s paintings will be exhibited at the National Park Association’s future celebrations of the falls’ new status in Paterson, Newark and Washington, D.C. Coco’s exhibit at Centenary College will be the first time his Paterson Great Falls paintings will be on public display after the National Park designation.
“I am so pleased to highlight one of our instructors in this manner,” says Dr. Barbara-Jayne Lewthwaite, president of Centenary College. “It is my hope to continue to offer these type of opportunities for the members of the community to participate in and utilize the college as a regional cultural resource.”
By Warren Reporter, November 13, 2009
 

PATERSON GREAT FALLS - PASSAIC RIVER SERIES

The Paterson Great Falls on the Passaic River entered the registry of American National Parks in March 2009. This legislative initiative put forth by Congressman Bill Pascrell -8th District of New Jersey-, designates the Great Falls as a national landmark. President Obama signed the urban treasure into legislation.
The waterfalls powered America’s first industrial park, which opened in 1800. Planned by our founding fathers, the Society Of Urban Manufacturer’s – S.U.M. was headed by Alexander Hamilton. Through an ingenious raceway system along the Passaic River, water cascaded over water wheels that powered the Rogers Locomotive mills, where the first trains were manufactured. Advances in loom technology established cotton and wool production, which lead to silk fabrication. Paterson became known as silk city. Other firsts in industrial America get there start as a result of Paterson’s industrial park: pharmaceuticals; dyes; rubber; prop motors for aviation; automotive motors for speed racers and motor cycles; the Colt 45 pistols and Winchester rifles; let alone the advances in caliber types for munitions. Submarines? Why of coarse? The first submarine was launched in the Passaic River just at the McBride Avenue Bridge which today spans behind the waterfalls, just before they cascade over the Ramapo fault line. Did I say fault line? That’s right, the Garret Mountain Ridge which makes it’s way northeast toward High Mountain, heading into the Ramapos, is the first major uplift as you come west from the Hudson. Passing “the great swamp” – the Meadowlands meet the second largest Falls in the northeast, the first step of the greater Appalachian Range.
Yes, the Leni-Lenapi Indians knew a good thing, for this is where the natives held their weddings, with ceremonies to celebrate the birth of their children. The Dutch followed their example, and developed the first honeymoon hotels to service the New World, and honor baptisms. The British followed suite, and developed the Falls as honeymoon central, way before Niagara Falls captivated the nations nuptial fantasy.
Joseph Coco’s paintings of the water falls, representing the four seasons, and four different times of day, are the largest group of works of the Falls to date, 66”x42” each. Created between 1983-85, the artist also composed music for his painting and drawing series entitled, SOUND IMAGE – FALLS RIVER. The music is incorporated as a soundtrack for the images on video and DVD. Joe Coco’s album entitled GARDEN STATE – The Gateway, released in 2006, celebrates the artist / musicians love hate relationship with his native state. Plans are now being made to show the paintings and drawings at the Department of the Interior, New Jersey’s State Chamber of Commerce, as well as events Congressman Pascrell is initiating locally.
You will be amazed at the long list of ‘firsts’ that make New Jersey’s history so fascinating. It is about time New Jersey gets to up its image, for it has been held down by lack of self-esteem for too long. America’s typical sense of amnesia might start with all the bad things people say about our great state. Yes, it’s true, the Passaic River became the first most polluted river in the States as a result of making our nation the first in industry around the world, but we were also the first to address that issue too, starting the first wave of ‘green movements’ back in the early 1900’s, and don’t forget the first labor unions. The list goes on, and on. Just head to the web and entertain yourself about the little engine that is the Garden State!
 

Paterson Great Falls - Passaic River Paterson, New Jersey Early Afternoon -
Summer June 1984 66”x40” oil on canvas -During The One Hundred Year Flood

 

Bucks has glimpse of marvels at Great Falls
Bucks has its own view of Great Falls National Park

Riegelsville artist displays paintings of his hometown, Paterson

As a result Paterson actually became the breeding ground of American industry. It was famous for generations for its silk fabrics, Colt firearms and Rodgers train engines as well as color dyes and the pharmaceutical industry, all dependent on the falls for power.
"In my imagination, the embryonic shapes seen in the swirling waters symbolized the birth of our nation as an industrial force, as a torrent of immigrants carne to Paterson to work their dreams in the land of the free," Coco says.
Coco teaches art and music appreciation at Delaware Valley College, Centenary College and Montclair State University. He has produced a staggering number of artworks as well as an impressive list of recordings and has written a blues opera. Bucks County Herald
 

Paterson Great Falls - Passaic River Paterson, New Jersey Late Afternoon -
Autumn September 1984 70”x40” oil on linen -After The One Hundred Year Flood


Years ago a 10-year old Joe Coco walked beside his uncle along the streets of Paterson, N.J., looking forward to munching on' the hot dog his uncle had promised him. He noticed the mist rising from the Great Falls on the Passaic River; curious, he asked, "What's that?" His uncle told him.
As they moved closer to the falls, the young Joe Coco was "blown away." The falls still do that to him.
That was the beginning of the Riegelsville artist's ongoing love affair with the falls that are the centerpiece of a brand new Great Falls National Historic Park. "It was a hallelujah moment for me," says Coco when the falls attained national status last month.
An internationally known artist and musician, Coco has since celebrated the 77-foot-high falls in both art and music. The four paintings on, display this month at the Riegelsville Public Library are part of a series of the Great Falls created in several seasons and at varying times of day and night between December 1983 and September 1984. He has poured into the paintings his passion for natural beauty his spiritualism and his interest in history.
Looking back to his first visit to the falls he says, "Even as a child I was extremely impressed." But as he moved from childhood to manhood, he "wanted to gel as far from New Jersey as I could" and headed for the San Francisco Art Institute. He later earned his bachelor of fine arts at Northern Arizona University.
Coco lived in Flagstaff while building his artistic reputation in the West, but he was confounded by Westerners' vision of his home state. "I found I was constantly defending New Jersey. 'No, no, it's not like that, I'd tell them. It's really beautiful." He later returned to New Jersey - and the falls - but also lived and worked in Italy and Portugal.
In 1986 the artist-musician completed a master of fine arts degree at Rutgers University, where his interests in naturalism and symbolism led to research in synethesia, which he describes as correlations between color and sound. He later created sound-tracks and videos for the series.
As an artist, Coco is drawn by the natural beauty of the eons-old Great Falls which are tucked in an ancient fault line in the Watchung mountain range. "As the earth separated over millions of years, two massive opposing stone walls formed the chasm," he says. "You can imagine the rapture the falls have inspired in the mystic mind and romantic heart of man."
He sees the falls spiritually as "a sacred place" since the time of the first native Americans and, historically, as an important factor in the development of industry in this country.
Coco says the Lenni Lenape often wed at the falls and held ceremonies celebrating births. "It was their Garden of Eden," he says.
Following in the native Americans' steps, he says, "Dutch settlers also used the grounds for weddings in the 1600s. In the next century, the British built resort hotels near the falls, creating the first honey-moon capital in the United States.
Coco's interest in history takes over as he tells the third part of the Great Falls story and explains that it was the first planned industrial park in the country.
Alexander Hamilton, George Washington and Thomas Jefferson turned to industrial sites in England to model a plan to develop industry around the power of the falls. Coco says, "The mini-cascades spun the wheels that powered factories."  Kathryn Finegan Clark

 

Paterson Great Falls - Passaic River Paterson, New Jersey Full Moon - Winter -
December 1983 70”x40” oil on canvas -Four Months Before The One Hundred Year Flood-


 

Bucks Countians have a rare opportunity this month to view "The Paterson Falls," grand scale paintings by Riegelsville artist.
The Riegelsville Public Library is sponsoring an exhibit of Coco's series of four oil paintings of the Great Falls on the Passaic River in New Jersey.
Coco, a Paterson native, now lives in Riegelsville and is internationally Known as both an artist and musician.
The exhibit is particularly timely since the Great Falls are now the centerpiece of the brand new Great Falls National Park.
The 77-foot high falls, second only to Niagara Falls in size on the East Coast, has been a state park since 2004. President Obama bumped it up to national status when he signed legislation March 25 designating it a part of the National Park System, adding it to the likes of Valley Forge and Philadelphia's Independence National Park.
Coco has more than 400 paintings, drawings and prints in 300 public and private collections.
He has had 45 solo shows in America and Europe and has exhibit- ed in competitive and collective shows since 1970. His work is in the collections of the Museum of Modem Art in San Francisco, the Institute of Contemporary Art in Boston and in museums and galleries in Lisbon, Rome and
Paris. Great Falls National Park - KFC

 

 

Paterson Great Falls - Passaic River Paterson, New Jersey Morning – Winter
February 1984 66”x40” oil on canvas -One Month Before The One Hundred Year Flood-

 

If Walls Could Speak

The following selection IS from If Walls Could Speak are a series of 106 paintings are redefining the image of Sicily". Premiering in December of 1996 in five galleries of Teatro Vittorio Emanuele, in Messina, Sicily. The work has been recently shown in Coco's 2nd international exhibition in the Geraci Sicily, August 2006.  The series was shown for two years throughout 2005-06 at the Coccia Italian Institute at Montclair State University in New Jersey.  These narrative drawings reflect the influences of Sicily's rich mythology.  With all its robust chaos and eccentricities, Messina's fate had its history erased through centuries of earthquakes and the bombardment of WWII.  But on the morning of December 28th, 1908 Messina, suffered it's worst disaster.  The city lost more than half of its population, 625,000, killed by the tremor and devastating tidal wave, that immediately followed.  The series has been shown in the Paterson Museum, New Jersey and the Italian Embassy's Institue of Italian Culture in San Francisco through out 1999.  This show has been proposed for as a major installation at the Ellis Island Statue of Liberty Immigration Museum, for 2008. With 55 solo shows since 1972, over 425 works of Coco's are in over 275 public and private collections through out the United States and Europe including San Francisco's MOMA, the Galleria Nazionale Di Arte Contemporanea in Rome and the Gulbenkian Museum in Lisbon, Portugal. The movies picture trouble as red, white and green, but have you ever been to a place where trouble has never been? The underworld is around your house, no matter who's to blame, but that's a different thing, so let me be the first to describe, "Spring in Sicily" C 1995 Coco Luminarios Music,BMI

AfortE (Strength)
oil pastel/paper  28"x20"  '95


Look into Sicilian faces and you will find the rich blood line's of historic epochs that include the Greeks, Romas, Arabs, Normans, Spanish etc. It's history as the crossroads of many civilizations has been a destiny that integrated diverse societies. Multi-racial tolerance? Sicily has been an integrating point for all cultures and races of the Mediterranean since the Phonecians.

 

War in Iraq - 1st Day
Full Moon March 19, 2003  oil/on museum board 28"x20"

 
 

The First Full Moon of 2004 "Pallet clock"
Taranto, Italy  acyrilic / paper 32"x24"

 
 

The Last Full Moon of 2001 "Twin Towers Disaster"
"Marriage of Birth and Death"  oil/linen 36"x36"


 

The First Full Moon of 2002 "The Last Tree On Earth"
oil/linen 36"x36"  Passaic, NJ 

 
 

The Last Full Moon of 2005 "Cactus Flower"
New Britan, PA  oil/linen 40"x30"

 

 


 

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